Mei Lanfang in this undated file photo.

Mei Lanfang (October 22, 1894 - August 8, 1961) was one of the most famous Beijing or Peking opera artists in modern history, exclusively known for his qingyi roles, a type of dan role. Mei Lanfang is his stage name, and in Chinese it is generally considered a feminine name. His real name was Mei Lan. Mei, Shang Xiaoyun, Cheng Yanqiu and Xun Huisheng were known as Four Great Dan in the golden era of Peking Opera. Mei really a culture hero.

M��i was born in 1894 into a family of Beijing Opera and Kunqu performers. He made his stage debut at the Guanghe Theatre in 1904 when he was 10 years old. In his 50-year stage career, he maintained strong continuity while always working on new techniques. His most famous roles were those of female characters; skillful portrayal of women won him international acclaim, and his smooth, perfectly timed, poised style has come to be known in opera circles as the ��M��i School.�� He also played an important part in continuing the performance tradition of Kunqu, noted particularly for his interpretations of Du Liniang and Bai suzhen and Xiang Yu before forced suicide, his girl friend Beauty Yu sing a sad last song for Xiang Yu, Mei as Beauty Yu singing that made many Chinese audiences large emotion and popular forever, and praise Mei is the best and greatest vocal artist in modern China.

On July 1937, the Marco Polo Bridge Incident occurred, Imperial Japanese Army soon occupied Beijing, commander of Japanese Army ordered Mei performanced for them and appointed Mei be a high rank official but Mei whole refused and never sing opera even made him poor till finished war 1945, and it took more Chinese highly respected Mei.

M��i was the first artist to spread Beijing Opera to foreign countries, participating in cultural exchanges with Japan, the United States, and other regions. He was known to have toured the world, forming friendships with the western contemporaries of his day, including Charlie Chaplin. During his visit to Hollywood, he was also welcomed by Douglas Fairbanks and Mary Pickford.

After 1949 he served as director of China Beijing Opera Theater, director of the Chinese Opera Research Institute, and vice-chairman of China Federation of Literary and Art Circles. Besides his autobiography, Forty Years of Life on the Stage, several of his articles and essays have been published in The Collected Works of Mei Lanfang. Recordings of his best-known performances have been published in A Selection of Beijing Operas Performed by Mei Lanfang. In 2000, the story of his life was filmed in a documentary entitled The Worlds of Mei Lanfang. It has been rumoured that acclaimed director Chen Kaige is set to direct a film biography of his life.